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riegler neugebauer freedom

(c) Joe Kohen / Getty Images

the concept of freedom, its symbolism and its functional consequences for the self-understanding of Americans and Americans in the late 20th and the first decade of the 21st century is the focal point for Jonathan Franzen novel, it serves as a hinge between political and private. one always affects the other - nothing and no one has ever apolitical, nothing and no one is ever private.

exemplified the concept of family romance on great - more time is referred to Tolstoy's War and Peace : the triumvirate walter / patty / richard introduces the dominant character, and in their relationship and thus gone through ownership. freedom's just another word for nothing left to lose , sang Janis Joplin in the late 60s - the hippie degenerates into cynicism in the late 20th century the option for the sake of their own desire to destroy literally everything from private family fortune on environmental protection to the American campaign in Iraq - behind every personal ambition interest.

so far, so good without makeup. However, Franzen also pursued a therapeutic suggestion: require America to recovery - too deep are the wounds of 9 / 11 and two Bush administrations. the possibility to be set up to encrypt / improvement needs, so the end of the novel almost threatens to clump together in the reconciliation drama. or does it also ... hollywood someone like me then it shoots through the head - has now reached Hollywood including the literature.

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Viennale: red shirley

(c) Viennale

one (if not the climax) of the Viennale, took place yesterday in his Gartenbaukino performance: the Viennale director Hans Hurch could welcome lou reed and screening of his film red shirley .

basically a small, fine piece of oral history, the lou reed interview with the capture of his now 102-year-old cousin Shirley. what is now not the major would be art, because you a story like that of Shirley applications already get out of astonishment over all the already would follow curious: Born in Poland, WK just experienced there I, in 1928 emigrated - 19 years old, alone, armed with two suitcases and no English - to Canada, which was then seen as too parochial, making them illegal on to new york, traveled there as a seamstress gained a foothold in the textile industry (including a dress made for Liza Minnelli), and finally in the Italian trade union led the resistance ... however, proves reed heart and humor, if he asks for details shortly, noting that the now well you can not be serious ( cheating? ), he shows that he is about the person rather than with the story. Now what are probably some critics surveyed, because that would be after all the documentary requirement for . However, one gets the impression that lou reed his movie as not intended to be understood. red shirley should definitely not be documented in the traditional sense, it is a love letter a remarkable woman.

the subsequent audience discussion with Hans Hurch and Edek Bartz (for whatever reason the man as took part ...) then was sometimes quite funny to hear. Hurch exhausted himself in technical details, Bartz tried it on the history - reeds answer came in the most scarce. after he had his nose full of it, he directed a short hand to the audience ask about - maybe we should end our little talk here which had now, however, not led to much more detailed statements. Well, mr. Reed does not seem the words of the great man, however: a good teller he was always on the lips ...

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Viennale: curling


in the audience discussion after the screening of his film in the cinema led gardening, the extremely likeable Denis Côté from what he was getting in filmmaking - namely, about making movies, which arise from their reading. and that in each head again. in another way, because other habits reception aptly evoking fantasies or other ... why his movies are exclusively concerned with the present. No flashbacks, no narrative punch or-volt, dramatic tricks. This logic is inherent in a principled openness - and in all directions: forward and back, open right in the middle episodes. nothing is brought to an end, can be end be brought. nothing is self-explanatory but it is about mood, a setting to move to something, never about anything.

curling in a father give his daughter some 12 years of the setting. they live somewhere in Canada, somewhat away from the resort. on a highway, where cars drive by every now and then. around fields and forests, snow-covered. the father does maintenance work in a bowling hall and a cleaner in a motel. his daughter, he tries to think of the environment largely to far away, so he taught them at home. He speaks of evil out there. One day, the daughter of a pile of corpses in the adjacent forest - after first running away, she goes again to (their) balance, makes friends with them. the father takes on the way home on the street a child who was hit. he brings the car home. when he arrives is to bring this motion died two encounters in the frozen microstructure of father and daughter make things needed to change ...

coté can with the time settings, it has no hurry. Father and daughter walking through the lonely, stormy winter landscape. a police car overtook them slowly, then stops across them before. the policemen, it is strange that both are moving on foot dei - ask them where they are from, where they are traveling, why: on foot? He offers to take it with you the father refuses ... ordinary people, but somehow not ...