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30th Nov. 2010 (Barsinghausen)

Dear friends,

after several months of "Intermission", which I have used for many things in my everyday life, I will report back to me again with my blog with you. The title of this blog you can easily see that something has changed.

It is not just the blog of a wandering lung transplant, but a little broader, everyday activities and policies are reflected here, as well as topics of life as Lungentransplantiertem. You can partake of it, how we travel (and where), what we do, how we buy such as a car and what to particular decision and how motivated the rest of our planning in and for our lives are.

No, do not worry - it will be absolutely no soap opera, of which there are already more than enough and I must initiate any further. But my readers can take part in my life that runs as a recipient of a donor organ in any case unusual enough (compared to other people). Of course I will continue my Route to answer a frequently asked question right. But will

one with the most questions put to me I answer the same. I'm doing very well, there are no health problems and the performance of my donor organ, the lungs, has now become even better than before. In FEV1, the one-second capacity of the Lung, I move to date in the range of about 4.8 liters. That is very wide and far above the average healthy person. Also, my kidney function - although still poor level - is stable and satisfactory functioning of the kidneys well. And especially nice is that interested, even after this round six-month break of the letter are still so many people in my life.

However, there are reported to be less nice. A good friend was on 19 July 2010 in Mainz lung transplant. Unfortunately, there have been during the procedure a serious rejection reaction, after Elke a few days in the ICU of University Hospital in Mainz died is. She told me in Schoenau in the past year, told how she is looking forward to the day when they can breathe properly again with a new lung. Of her death we learned when we return from a weekend in Prague, arrived back home. Linked to the obituary of their self-help organization says more than enough of.

But that's life. Sometimes unfair (at least it is so perceived), sometimes full of surprises. It is only good for this, no one can say that when something happens - whether nasty or nice. This is not one of "transformable" things in human life. In this aspect, perhaps understand everyone how thankful and happy I am today. Now I'm

you later today guilty of an information, that is the answer to the question: "What concrete evidence now than today's image"? It is the Christmas market in the old town of Osthessen slot with the largest Christmas candle in the world. This "candle" is a wrapped tower, which was disguised as a candle and has a total height of 36 meters. This is impressive and beautiful to look at the same time. Anyone who wants to just go there again. Advent is still quite a while and slot is a really nice town worth seeing. This

I wish you, dear friends in the country, a wonderful Christmas season and continue such a great winter weather, as we currently have. Best regards from Lower Saxony Barsinghausen and a friendly Buen Camino wish Lothar.

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Wolfgang Lorenz Memorial Prize in 2010 at Morgan Joseph Ostermayer

as a jury member I had the pleasure to unprecedented at the weekend, the eulogy to keep the Austrian Federal Government adopted, namely for that of an ORF Act, which is not only an insult to toll payers in for all but the due to the lobbyierens of VÖZ also the Fuzo was sacrificed.

was representative of these, unfortunately, once again urösterreichische not
solution for WOLO2010 Secretary of State for Media Josef Ostermayer nominated.

here the copy of the award-speak:

after last year I had the honor to hold Directorate the eulogy for the ORF online - it seems more than logical this year the tables turn and to nominate those who are the conditions that created that was from the ORF that which now still Küniglberg and related to regional studios in 9:

a herd of elephants party accounts with matching, corresponding elefantengünstlinge and their parasites and the not so rare species of albinos, resident with offices beautiful promising, equipped and without pouvoir vouloir.

but it raises the question as it could only come to that? how could it happen that the identity of Austrian Central Institute for Information and kutlurkörperruine (copyright Gerd Bacher) degenerated?

the beginning was the word - and thus the necessity of the constitution of a new ORF Act, so that - as SPÖ leader Josef Cap forth in the national debate raised - the ORF by refund of license fees to continue their cause structural and saving concept and its leitmedienfunktion yet can meet successful. the newly installed media authority completely autonomous and independent, should state the appropriate use the fee revenue and the public service monitor.

and authority to appropriate authorities to act, was already in the tender made sure that lawyers can only advertise and lawyers. which means the public group. order is of a purely juridical point of view of monitoring.

which in turn is made clear that this authority is not also ensure that the Court criticized a lack of overall strategy - which has been submitted either by the Director General, has not yet called for by the trustees - will be developed. and has also ensured that the new authority and not that fit for work with regulatory decision-making body is equipped competence, which was demanded by the Court.

that is, the Director General will continue to report to a Board of Trustees, which alone is reason to be able to fulfill its size is not its tasks. or we have some tasks to understand it properly?

Armin Thurnher pointed falter in the central question as to the expected new ORF Act to decide as early as 2009 to the effect that it was a question whether the ORF will be the new one persuasion or seduction medium.

there any public medium for conviction of his ideas is medium, should be asking this question does not, however. should. because the ORF for the most part financed by advertising has, he is forced to commercialize, and thus - in direct consequence - to endanger the public order. so it is clear why this order-its formulation undergoes only very cautiously, alone on the basis of budgeting, the ORF as a hybrid between persuasion and seduction medium positioned and secured so the influence of the policy.

to get the necessary approval to the crossbreed of the political parties and interest groups to secure, then, was the highest-quality ORF
internet offer - namely the future zone - the Association of Austrian newspaper publishing, short VÖZ sacrificed.

ask for this unprecedented process to the absurd I wolo2010 for josef Ostermayer.

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andrea: Jonathan Franzen balcony handover

What are these people whose job description the literal substance of death - the bodies - are? andrea goes morgenthaler located around the globe in search of clues: it shows in the first eight episodes a funeral in Harlem, the horror the death of his takes, by the balance every remembrance of the death drives out and regulate in all of art like peacefully asleep, right in the sky and landed so happy people arranged. consequently is the central element of this episode, the hymn of thanksgiving a wife at his mourning to the incarnate, ending in tears streaming exalted "amen".

already the example of the burials was clear that the colloquial background is crucial to the dead of the relevant functional, setting the working of the structure, are delivered in what contexts explanation for the phenomenon death. where the undertaker necessarily the focus on the look of dead sets, referenced by the forensic biologist at the function of death in the types of technology for each other: as a forensic entomologist, he determined on the basis of larvae and insects in and to balance the time of death and the circumstances of his death. Death and the age of mammals and so people are a necessary part of nature to the continued existence as well as the further development to ensure the species (as has anyone read his dawkins full detail ...).

interested morgenthaler obviously exactly diametrically for these opposite approaches and interpretations: the inspired organic Swede, who for a wortwörliche transcription of the "soil to soil" is strength, the Nepalese cremation over is made, with which the deceased can buy an immediate access to paradise. the approach that the body carries spare parts continues to be a virtually inexhaustible reservoir of will, which Cryonics opposite, ie to freeze the idea to compensate for them to thaw at a time again, where medical technology is far away paced, that the hitherto incurable diseases can be cured.

it is certainly interesting journey, undertaken by Morgan. quite casually - unobtrusive - the camera sweeps over the objects and balance also. nothing prevents them from falls, but no sensationalism. The large pictures are mostly dedicated to the protagonist of that report in a matter of course. and each course has its own logic. just as the living.

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:: rest in peace and

riegler: now might ma zsommpockn boid - is prevented at the highest level of !
neugebauer: true - compared with pröll & pröll samma ormutschgerl ...

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riegler neugebauer freedom

(c) Joe Kohen / Getty Images

the concept of freedom, its symbolism and its functional consequences for the self-understanding of Americans and Americans in the late 20th and the first decade of the 21st century is the focal point for Jonathan Franzen novel, it serves as a hinge between political and private. one always affects the other - nothing and no one has ever apolitical, nothing and no one is ever private.

exemplified the concept of family romance on great - more time is referred to Tolstoy's War and Peace : the triumvirate walter / patty / richard introduces the dominant character, and in their relationship and thus gone through ownership. freedom's just another word for nothing left to lose , sang Janis Joplin in the late 60s - the hippie degenerates into cynicism in the late 20th century the option for the sake of their own desire to destroy literally everything from private family fortune on environmental protection to the American campaign in Iraq - behind every personal ambition interest.

so far, so good without makeup. However, Franzen also pursued a therapeutic suggestion: require America to recovery - too deep are the wounds of 9 / 11 and two Bush administrations. the possibility to be set up to encrypt / improvement needs, so the end of the novel almost threatens to clump together in the reconciliation drama. or does it also ... hollywood someone like me then it shoots through the head - has now reached Hollywood including the literature.

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Viennale: red shirley

(c) Viennale

one (if not the climax) of the Viennale, took place yesterday in his Gartenbaukino performance: the Viennale director Hans Hurch could welcome lou reed and screening of his film red shirley .

basically a small, fine piece of oral history, the lou reed interview with the capture of his now 102-year-old cousin Shirley. what is now not the major would be art, because you a story like that of Shirley applications already get out of astonishment over all the already would follow curious: Born in Poland, WK just experienced there I, in 1928 emigrated - 19 years old, alone, armed with two suitcases and no English - to Canada, which was then seen as too parochial, making them illegal on to new york, traveled there as a seamstress gained a foothold in the textile industry (including a dress made for Liza Minnelli), and finally in the Italian trade union led the resistance ... however, proves reed heart and humor, if he asks for details shortly, noting that the now well you can not be serious ( cheating? ), he shows that he is about the person rather than with the story. Now what are probably some critics surveyed, because that would be after all the documentary requirement for . However, one gets the impression that lou reed his movie as not intended to be understood. red shirley should definitely not be documented in the traditional sense, it is a love letter a remarkable woman.

the subsequent audience discussion with Hans Hurch and Edek Bartz (for whatever reason the man as took part ...) then was sometimes quite funny to hear. Hurch exhausted himself in technical details, Bartz tried it on the history - reeds answer came in the most scarce. after he had his nose full of it, he directed a short hand to the audience ask about - maybe we should end our little talk here which had now, however, not led to much more detailed statements. Well, mr. Reed does not seem the words of the great man, however: a good teller he was always on the lips ...

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Viennale: curling


in the audience discussion after the screening of his film in the cinema led gardening, the extremely likeable Denis Côté from what he was getting in filmmaking - namely, about making movies, which arise from their reading. and that in each head again. in another way, because other habits reception aptly evoking fantasies or other ... why his movies are exclusively concerned with the present. No flashbacks, no narrative punch or-volt, dramatic tricks. This logic is inherent in a principled openness - and in all directions: forward and back, open right in the middle episodes. nothing is brought to an end, can be end be brought. nothing is self-explanatory but it is about mood, a setting to move to something, never about anything.

curling in a father give his daughter some 12 years of the setting. they live somewhere in Canada, somewhat away from the resort. on a highway, where cars drive by every now and then. around fields and forests, snow-covered. the father does maintenance work in a bowling hall and a cleaner in a motel. his daughter, he tries to think of the environment largely to far away, so he taught them at home. He speaks of evil out there. One day, the daughter of a pile of corpses in the adjacent forest - after first running away, she goes again to (their) balance, makes friends with them. the father takes on the way home on the street a child who was hit. he brings the car home. when he arrives is to bring this motion died two encounters in the frozen microstructure of father and daughter make things needed to change ...

coté can with the time settings, it has no hurry. Father and daughter walking through the lonely, stormy winter landscape. a police car overtook them slowly, then stops across them before. the policemen, it is strange that both are moving on foot dei - ask them where they are from, where they are traveling, why: on foot? He offers to take it with you the father refuses ... ordinary people, but somehow not ...

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Viennale: Meek's cutoff

Kelly Reichardt uses the genre against itself: the setting - provided with all the genre-typical ingredients - is easily explained. three families of settlers and their scout Meeks (based on a historically verifiable figure), who speaks in favor of the legendary Oregon Trail an abbreviation leave are on the way to the west. However, settings at the first is clear, Reichardt it's certainly not a possible dramatic presentation of the painful everyday settlers: the camera patiently follows the crossing of a river, a team of oxen after the other, behind the women on the head, transporting fragile items carefully. is at the other shore collected wood, water resources are filled, the adolescent boy scratches in an old weathered tree trunk the word lost.

which basically everything is explained. It is reichardt the presentation of this lost one - and the impact on this common destiny: after a few days without water, the settlers anxious - to the capabilities of the scouts are logged doubt. then even as an Indian shows up, the meeks captures with a settlers, differ on how to proceed with him, Meeks wants to kill him immediately, the settlers rely on its local knowledge and can lead him on. however, the fear that the Indians could lead to an ambush, always present. what the psychological film is a structural crisis: the women at the beginning of the film are some steps fro behind the venture, which - if the men advise on further action - wait in the background and ask themselves to decide what will be tone - in the literal sense to take the reins ...

in this new world, because - not where a gold fund in view of existing water-nothing matters must be reconsidered old power structures, Authorities questioned and loyalties are redefined. Reichardt delivers a dense, very gently stretch over long incredibly quiet portrait of these survive in the absolute barrenness around the struggling company.